Corporate communications

Some rooms you only get once.

Board decks, investor presentations, and the films that open them.
Made by the studio behind Pandora's Capital Markets Day.

Selected clients

Pandora LEGO Netflix Novo Nordisk Kia BRIO Playmobil

Selected work

Three problems, solved on screen.

The room that moves the share price

Pandora's Capital Markets Day, built to survive the analysts

Capital Markets Day is where a public company sets out its strategy to analysts, press and shareholders. Every slide is read by people paid to be sceptical. We have built Pandora's across multiple years: the narrative, the slide design, the data made legible at the back of the room, and the motion that turns a claim into something people remember.

It is the same discipline as a board deck or a results presentation, with the stakes turned up and a date that cannot move. One of those years covered the launch of their lab-grown diamond line, prepared while it was still confidential.

Multi-yearRenewed across successive Capital Markets Days
Investor audienceAnalysts, press and shareholders
Scope
Narrative, slide and data design, animation, edit, sound
Output
Investor presentation, presentation film, market cutdowns

Nothing exists to photograph yet

BRIO and NOBL, sold before there was anything to shoot

BRIO is a Swedish house founded in 1884, moving from the wooden railway it is known for to a new modular line. The play pattern needed explaining and the heritage needed protecting, at once. We built a standalone character world that teaches the mechanics by telling stories inside them.

NOBL Collective is the opposite end of the scale: a zero-inventory fashion house where nothing is manufactured until someone orders it. There is no sample to photograph, so the entire buying experience has to be built rather than shot.

Same problem, a century of size apart. When the product does not exist yet, someone has to make it real enough to sell.

87%BRIO audience retention, against a 40% category average
2025Toy of the Year, Sweden
Scope
World and character design, narrative, animation, digital experience
Output
Episodic content, launch and retail assets, ecommerce experience
Status
BRIO shipped. NOBL in production

Photography could not keep up

One model, every image Pandora needs, in every market

Legacy production could not keep pace with a global rebrand. We built a single source of truth: a digital twin of the product range, accurate enough that one modelled piece produces every image, film and configurator view the business needs, in every market, on demand.

Once a product exists as a digital twin it stops being only a marketing asset. The same model is used to review a design before it is made: proportions, finishes and colourways assessed on screen, and problems found while they are still cheap.

One modelEvery angle, colourway and market
Design to launchThe same asset validates the product and sells it
Scope
Product visualization, content infrastructure
Output
Campaign film, conference film, always-on content

What we do

Five ways to get a message across.

Decks

Presentation and deck design

Board decks, investor material, the pitch that decides a raise or a sale. Structure first, then the craft that makes an argument easy to follow at speed. Built in your template, or a better one.

Film

Conference and brand film

Opening films, strategy pieces and launch campaigns for the rooms where the year gets set. Made in house end to end, and built so regional teams can localise them without starting again.

Product

Product visualization at volume

Photoreal imagery that replaces the photoshoot. Model the product once, then generate every angle, colourway and format your channels need, in every market, without booking a studio again.

Validation

Design validation

See it before you commit to making it. A digital twin accurate enough for marketing is accurate enough to judge a design by, so proportions, materials and colourways get tested on screen while changing them still costs nothing.

Testing

Versioning and optimisation

Most agencies deliver one execution and call it done. We build assets so variants are cheap, then run enough of them to find out which message actually moves the number you care about, rather than the one that won the internal argument.

The studio

A production company, not one designer and a deadline.

Watch the reel at wangle.studio

Wangle Media is a Scandinavian studio in Copenhagen and Stockholm. We make the things a company is judged on: the board deck, the investor presentation, the film that opens the conference. Some clients are global brands. Some are one person with one meeting that decides the year.

What makes that work is infrastructure rather than heroics. Assets are built modular, so localising for a new market or generating a new variant is a small job instead of a new project. That is why we can hold quality across hundreds of deliverables and still hit the date.

Based in
Copenhagen and Stockholm
Clients
From listed companies to founder-led businesses
Built for
Volume, localisation and fast versioning

Who you work with

A small group of partners, not an account team.

Between us: entertainment, technology, and the luxury and fashion sector. Beyond us, specialists we have worked with for years rather than whoever happens to be free. Either way you deal with the people doing the work.

  • Geoffrey Hancock
  • Henrik Bach Christensen
  • Sune Neye

Geoffrey Hancock

Co-founder

Has built Wangle Media since 2019 into the studio brands call when something has to be right the first time: the conference film, the launch, the product library that every market runs on.

Before that, an award-winning career in film and television. He brings that entertainment industry craft to brand work: helping companies tell their story visually, so it lands with an audience rather than merely reaching them. He works on the projects personally rather than handing them to a team you never meet.

Henrik Bach Christensen

Co-founder

A philosopher by training who runs the technology. Less strange a combination than it sounds: most communication problems turn out to be questions about culture before they are questions about tools, and he is unusually good at telling which one is in front of you.

Sune Neye

Co-founder

An editor who came up in luxury and fashion, and a trained statistician. He brings the eye that sector demands and the numbers to argue with: forecasting, measurement, and making sure a plan still works once it meets a real budget and a real deadline.

Start something

Tell us what your room needs to understand.

A deck, a film, a library of product visuals, or a conversation about what would actually work. No project is too small to ask about. We will tell you straight if we are not the right studio for it.

The media kit comes back straight away. Six pages on what we make and what it changed.

Or email geoff@wanglemedia.com directly.